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Modern Quilts: Designs of the New Century

Book - Modern Quilts: Designs of the New Century

If you love art and if you love textiles (who doesn’t?), you need this book. It’s full of modern design inspiration, showcasing more than 200 quilts curated by the Modern Quilt Guild.ย Riane, Alissa, and Heather have done a fantastic job of gathering some awesome work into this book of eye candy. To get your copy, find it here:ย Modern Quilts: Designs of the New Century (affiliate link). After looking through this book I bet you’ll think of quilts in a whole new way!

Feel free to linger on page 136, where you’ll find my self portrait quilt. Want to see how I made this quilt? Read my Self Portrait Behind the Pixels post, where I share quite a bit of my making process. (hint: I love to use tech!)

So what is the Modern Quilt Guild, anyway? It’s a community of over 12,000 quilters across six continents and 39 countries, whose mission is to support and encourage the growth and development of modern quilting through art, education, and community. I’m a member of our local chapter, the Boise MQG, serving on the board as Vice President. My favorite part of being involved with the MQG is getting together each month with my sewing peeps – it feels so good to talk to people who love to sew as much as I do! Another highlight is attending QuiltCon each year – it’s the perfect motivation for me to get my design ideas out of my head and into textile form.

Some of the book contributors are hosting a blog tour for the book, and this is my stop. Check out Lysa Flower (yeah! fellow 80’s girl!) for the next post.

Endor Quilt

Ah, Endor. Beautiful ancient trees. Rebels and troopers on speeder bikes. The underestimated Ewoks. That dang bunker door.
I designed and made this for an Endor-loving girl as part of the 2017 May the 4th Mini Quilt Swap #MayThe4thMQS2. It measures 24″ x 24″. The design started with my illustration, then I applied some digital effects, put it in a grid, and drew strategic straight lines to make it into a foundation paper piecing (FPP) sewing pattern. It’s very similar to the Vader Quilt I made.


I like to get all organized before I sew. Five flat solids for the sky, some grungy teals for the Death Star, a couple greys, and 9 shades of green. The special yellow ruler and postcard from the Idaho Youth Ranch (a non-profit who helps out kids) are great tools to help me keep the seams nice and tidy on the back. Funny note about green #6: it’s leftover fabric from a goblin costume I made for my son years and years ago for Halloween. Another funny note about g6: every time I sewed with it, I sang to myself “like a g6, like a g6”

Sewing up the 5 1/4″ squares and getting them on the design board. I didn’t have enough of the aqua blue fabrics to make up the digital design I came up with, so I made the lightest color white instead.

It’s pretty hard to stop sewing once I get started. Foundation paper piecing (FPP) is addicting.

Five more blocks to go…

Almost done. For my design board, I tape some white flannel onto a sheet of foam core. Pretty perfect. I can push pins in it and easily move it around. And hel-lo, these grunges: so delish.

Blocks are done. Now to sew these puppies together.

My joining method: Sew into rows and press seams open. Leave paper on. Align rows right sides together on an ironing board, put a pin in the intersections and push it all the way in through the ironing board. Put clips on either side, remove the pins, and sew.

You cute wittle death star.

Not gonna lie – music is required for this part. Tearing out the paper is a bit tedious, but worth it to make the design come to life.

Up next, give these back seams a good pressing.

I went with simple straight quilting lines. If I were better at quilting stitches, I’d get a little creative, but it’s just not in my wheelhouse right now. Plus, simple straight lines look good on most anything. Plus, I wanted to be sure not to detract from the piecing design.

Binding time. For the back I used a simple black and white cotton print.

I really really love this tree. The colors. The shape. I’m envisioning a little Ewok hiding in there somewhere.

Stardew Valley Rabbit Pillow

I just made this pillow for my daughter. Her favorite animal from her favorite video game = Easter perfection. She loves playing the Stardew Valley video game (so do I), so I know she’s going to flip when I give this to her. It’s a 16″ pillow that will go great in her bedroom.

I used Adobe Illustrator to make Eric Barone’s design come to life. I also mocked up a bouquet, which I may make later on. Or wouldn’t it be a cool cross-stitch?

I gathered some solid fabrics and printed my map.

I started the layout on the design wall and I got that anxious excited feeling since I knew it was going to turn out so cute!

I filled in the background with larger squares, tile-style.

Then simple, meditative sewing.

These seams are small (1/8″), and I like to press them open for ease in quilting later on. This mini iron is so, so perfect for this task.

This thing is magic. MAGIC, I tell you. #tinyseams #cloverusa #sewing #quilting @cloverusa

A post shared by Angela Bowman (@angelabdesign) on


Here’s the back of the patchwork panel. That mini iron makes pretty quick work of the seam-pressing.

And the front. Love it!

Somebunny is getting quilted. I stitched a simple cross-hatch…

…that gives dreamy texture galorrrrrrrre. It’s almost shimmery, even though I only used solids. For the thread, I used Aurifil 30wt in Dove. For the fabrics, I used Kona Cotton by Robert Kaufman.

The finished pillow back has a simple and pretty tied-knot, using a Cotton + Steel basic.

Self Portrait Behind the Pixels at QuiltCon 2017

I am so proud that my quilt โ€œSelf Portrait Behind The Pixelsโ€ was featured at QuiltCon 2017 in Savannah, Georgia on Feb 23-26. QuiltCon is an international modern quilt show and this is the first time I’ve had a quilt showcased at such a venue. My work was one of only 350 quilts selected from a pool of over 1,500 entries, chosen by a jury of modern quilters.

Though I wasn’t able to attend, a friend of mine took this photo for me. I really enjoyed going through the #quiltcon hashtag on Instagram and seeing pics of all the beautiful work. There’s tons of very talented people making absolutely stunning quilts.

Self Portrait Behind the Pixels Quilt

“Self Portrait Behind The Pixels”, 70″ x 70″, made in November 2016.
This is me, an actual human being behind my online presence. As we talk to each other online, please don’t forget that I am a real person behind the pixels. Let’s all be more understanding, respectful, and kind.
This is a concept that probably rings true for many of us; however this idea did not guide the design. In fact, I found its meaning after I made it.
It started with a selfie on Instagram – something I rarely post. Hey, I just got some highlights in my hair!

I cropped the image a bit, placed it in a grid, and applied some digital effects. Why a grid? It’s freeing. It makes an enormous project approachable – just make one square at a time. A grid makes it easier for me to find order and to help make a design come to life. It gives me a sense of clarity and confidence. Without it, I’m a bit overwhelmed and design is daunting. It just so happens that a grid gives a digital, pixelated effect that I love. And it’s pretty perfect for quiltmaking.

I brought the image into the Procreate App on my iPad, and used the Apple Pencil to translate for sewing via foundation paper piecing (FPP). Here’s a video of my process:

Here’s the resulting image.

And here’s the lines-only version.

I brought it into Adobe Illustrator, cleaned things up a bit, and established my color key. I gave myself the constraints of only using the fabrics that I already have, and only prints.

I separated each square into a FPP pattern and printed them off.

As I started making blocks and throwing them on the design wall, I felt a bit iffy about the fabrics. But I just told myself to go with it.

FPP is definitely one of my happy places, so I gladly just focused on that.

A bit more progress, and still a bit nervous. I worried that the eye was too weird. I powered on.

Finished with the blocks, now to sew them all together.

Then peeling off paper from the back. Oddly satisfying.

And the top is done! I changed up some of the background fabric choices, even using the “wrong” side of the fabric to give some value variation, a first for me.

Rather than quilting it myself, I sent the quilt top to my friend Laura Pukstas who has a longarm quilting machine. I told Laura that it’d be cool to have horizontal straight lines on the background, with the shapes (hair/eye/etc) to be outlined and filled with whatever she thinks is good. I love what she did.

So while I didn’t set out to make a statement quilt, it happened anyway. This design was guided by the simple art concepts of a grid, polygonal shapes, and materials constraints, yet I happened upon its perfect narrative at the end, without even thinking of assigning any meaning during the making process. Fascinating. I wonder how intentionally connecting meaning early in the process will affect my work.

I’ll leave you with this: Let’s look through the pixels, see each other as the beautiful humans we are, and make more of an effort to understand one other before passing judgment online.

Vader Quilt

Yeahhhhh, Vader. I designed and made this for a Vader-loving girl in New Orleans as part of the 2016 May the 4th Mini Quilt Swap #MayThe4thMQS. It measures 24″ x 24″ and includes 5 colors of Robert Kaufman Kona Cotton: black, pepper, charcoal, coal, and iron.

The design started with a photo, then I applied some digital effects, put it in a grid, and drew strategic straight lines to make it into a foundation paper piecing (FPP) sewing pattern. This project “forced” me to hone my Adobe Illustrator skills ๐Ÿ™‚

Most of the squares are made from very simple FPP, and some are just plain fabric squares. I sewed all the squares together and then it was paper removal time. A bit fussy, but so worth the effort to get such a precise design.

Wanting to see the design come to life results in a sewing frenzy that’s hard to stop, which is often how it goes for me with FPP projects. You know when you design something, and youโ€™re not quite sure how it will actually turn out, and then it surpasses your expectation? Yeah, that! And in case you were wondering, I pressed most of the seams to the dark side.

Quilting is a simple diagonal cross-hatch.

I had a lot of fun making this, and itโ€™ll likely be the only time I make this quilt design. I contacted Lucasfilm asking if I could make the pattern available for free, and they said no. Disappointing, but it is what it is.

Lips Quilt

So, I made a quilt of my lips. The vibe: 80’s geek chic.
I made a few of them, actually. This one is 66″ x 66″. I used just three fabrics: a textured dot ombre, flat ombre, and white background.
The design started with my lipsticked smooch on a piece of paper. Quite silly, but fun.

I scanned it to my computer and added some digital effects.

I drew digital lines and made a foundation paper piecing pattern. Each square is paper-pieced then sewn together in rows then columns. Here’s another smaller version, measuring 33″ x 33″. I used batik fabrics for the lips, pale solids for the pixel-y edges, and a creamy white for the background.

Here’s another mini version, measuring 22″ x 22″. Prints for lips, flat solids for pixelated edges, and a light background.

I quilted each differently, opting for straight lines on this one.

MAKE Mini Quilt in Modern Patchwork Magazine

You like to make stuff, yes? Then you neeeeeeeed to make this MAKE mini quilt that I designed especially for you. Display it in your maker studio, STAT.
It’s a fun little sewing project inspired by the wonderfully geeky and 80’s pixel font “Edit Undo” by Brian Kent. You can find it in the Summer 2016 issue of Modern Patchwork magazine. It measures about 9″ x 26″ and it’s a fantastic way to use 1″ strips of fabric scraps.
It looks pretty good on a light background. I used Kona Cotton White for the background and for the letters I used SunPrint 2016 fabric prints by Alison Glass for Andover Fabrics.

I must say it looks cool on a dark background, too. Here I used Kona Cotton Charcoal for the background and batik scraps for the letters.

You can make one using the publisher’s instructions in Modern Patchwork magazine by using sewing pins and pressing seams open, or you can make it the easy-peasy way like I did, with glue-basting and pressing seams in one direction. If you go the glue-basting route, grab some Elmer’s Washable School Glue and these Micro Fine Glue Tips sold by my bud Cristy Fincher.

This is a quick make, folks! (see what I did there?) Make one and share it online via #MAKEminiquilt.